Wool Cycle (at 40 degrees)

My old washing machine drum was sitting outside the house for a few weeks and as I decided whether to take it to the tip I had a thought... This piece brings together my love of nail and thread / string art designs with a more truly sculptural form of the disregarded. There's a little bit of Barbara Hepworth about it too which I like.

Wool Cycle (2015) has just moved from Gallage to the group show End II Begin in Coventry Arcade, curated by The Pod and its arts collective Collective//Pod. For further details of this show and the Scratch the Surface Arts Festival (running March 14th-27th 2016) please follow the link: https://www.facebook.com/events/472368119615901/

Neon Spillage!

500ml of neon paint from a 14ml paint pot in an apparently accidental spillage (!). Strangely, as the paint dried, the little paint pot began to levitate! One of those nice, unexpected occurances.

Gallage 360

Gallage from a different view. A 360 degree stereographic.

Research

Here are a couple of great art works I came across while I was researching for Gallage:

 Jasper Johns - Painted Bronze (1960)

Jim Dine - 5 Feet of Colourful Tools (1962)

I love these. They would sit nicely within the exhibition I think. Might need to up the security though...

A gallery in a garage

Gallage is the meeting of concepts:

Garage / Gallery
Crafter / Artist
Utilitarian / Aesthetic
Disregarded / Beauty

A gallery inside a garage. It was a simple answer to a problem. 

After I had parted ways with Bob and Roberta Smith’s Coventry Centre for Contemporary Art I needed a new place to exhibit. So it was interesting that when the ‘shed’ left my garage (where it had resided for the majority of time since moving into my house) suddenly a new space opened up - a white (ish) cube with a few extra cobwebs and some old rotting carpets on the floor.

I have used the garage as a starting point to guide the sort of work I've chosen to exhibit. The garage is a place where tinkerings take place and where everything that won't fit anywhere else resides. 
I've tried to encorporate as much of the original unique character of my specific garage as possible. There are traces of its life and those who lived here – remnants of old carpets, labelling, shelving. At the same time I have sought to balance this with the presentation of my exhibition as a genuine gallery space. 

Gallage is here

My latest exhibition Galllage has just opened. I'm showing new work including photography, sculpture, found objects and installation.

The Shed is Shed

Shed - Collect - Shed finished at the weekend. The exhibition has provided many amazing opportunities for me to show and share my work, to collaborate with two excellent artists, to meet new people - Herbert staff, volunteers and visitors. As always it's been the opportunity to connect with people that has really made the whole thing worthwhile.

The completion of the exhibition marks the end of my involvement with the Coventry Centre for Contemporary Art. I'm passing this on to The Pod who are working with Fargo to ensure this great resource can continue to propagate art projects and ventures. Many thanks to everyone who has been involved with the CCCA over the last 5 years.

Now onto the next thing...!

Same sock different day

Perhaps a rather sad tale of a lost sock. The first photo taken on 23rd Sept 2014, the second taken one month later on 22nd October 2014. I guess it's quite unusual to see a found object in the same place over a period of time. I would of course usually pick up something that I liked, and if I didn't perhaps someone else would - most likely the litter picker. I don't normally collect socks or clothing so I left this object, but liked it enough to take the photo. It's on the part of a pavement where cars will often park up and so probably it has escaped the litter picker's eyes as well as the child / parent who dropped it.  What I find interesting is the way the sock has almost become part of the environment in which it sits. It has become one with the pavement (as much as it can). Small stones have imbedded themselves in it as if welcoming it in. The dirt has now camouflaged the sock with the colours of the ground. I wonder how long it will remain.

Printmaking Workshop

Joanna Rucklidge ran two printmaking workshops on 18th October, using found objects and reclaimed materials. Adults and children alike left with great art works under their arms, big smiles and messy hands!

The 79.7% of the way through party

Unusually for a Private View the celebration of our exhibition Shed - Collect - Shed came 79.7% of the way through it's duration. This gave visitors an opportunity to look at some of the items that members of the public have collected over the last 8 weeks and a few extra works and items added since the opening day. It was a great evening and lovely to see so many familiar faces. Thanks to the Herbert Art Gallery and Arts Council England / Lottery funding for making it all possible.  

Workshops (Part 2)

A second Saturday of workshops (4th October 2014) produced more wonderful work by some incredibly inventive and creative children. Here's a few of the photos from the day  ...

 

 

 

Found Object Workshops

On Saturday 27th September I ran a day of drop-in workshops at The Herbert for anyone who wanted to take part. It was a great day of creative play using found oject photographs as the stimulus. The idea was to consider the objects more; to add worth and value to these discarded things; to allow them to spark creativity and imagination; to have fun.

There were 5 different activities people could take part in, here are some example pictures of what was produced:

1) Using a found object as a starting point for a drawing or picture. 

2) Creating a display case and showing objects inside.

3) Producing Found Object Top Trumps.

4) Making a story board narrative involving the objects.

5) Found object equations - considering the subjective value of an item.

It was a lot of fun and some really inventive work was produced. What struck me was the lack of fear that children have when they set out to create something. So often adults can be paralysed with a sense of worry or fear about messing up a drawing or not knowing how to start. And yet the children who took part weren't phased by drawing a dragon or whatever; they just went for it - and usually they turned out brilliantly. It's a good thing to learn from.

Voluntary Poetry

David Hurt, one of the many excellent and very necessary volunteers at The Herbert Art Gallery & Museum who have been looking after Shed - Collect - Shed, has written a number of poems inspired by the exhibition. Here's a couple:

The Artefacts Story (inspired by Shed-Collect-Shed: Coventry's Lost and Found)

Alive
With colour,
Waiting to inspire,
Passionately crafted
Into art.
Connecting their world
To ours,
Shedding their secrets.
Secrets once whispered
From beneath foliage,
By the roadside and
Teetering drains.
Their new refuge,
Gives them hope.

Trodden Rainbow Putty (inspired by the video projection piece "...and then I found..." (2014).

Flecked with spectrum rays,
Pulped by rushing feet,
Once a child's sculpture
Dropped in sudden fleet.

The collection continues...

Although the intensity of the collecting for Shed - Collect - Shed has reduced I'm still scanning the streets for the treasures it can yield. Here are my latest finds from the last weeks:

Going Round in Circles

When I first met Joanna Rucklidge 15 years ago I was inspired by her vision to collect and display bread tags - something that once seemed so 'nothingy' which I'd never given much notice to. Yet from that day on the humble bread tag took on a very different relevance and significance in my consciousness. Joanna continues to challege me to see the beauty and worth in things that even I can easily overlook and discard. For Shed - Collect - Shed she presents Going Round in Circles (2014) a set of 9 works including screen prints of objects such as rubber bands (previously pictured) and cup lids, and circular assemblages of plastic or metal bottle lids as if they were a set of rare antiquities. By so doing Joanna invests power and value into the most commonplace of the found object world. This is very much part of her ongoing fascination with environmental issues, waste and the disposable culture that we inhabit.

Martin Green's Work in Progress

Martin Green has been busy working each Sunday at the Coventry Centre for Contemporary Art (or 'shed' to its friends), currently based on the First Floor of the Herbert Art Gallery & Museum. It's a great opportunity to see him working and dealing with his particular flavour of Coventry found objects. He will next be in on Sunday 21st September and Sundays throughout October (2014).

(Super, Un)natural history

Further areas of The Herbert's natural history collection was deliberately referenced in my work. I wanted to mimic some of the ways they displayed or catalogued their items. For My Found Knotted Crisp Packet Collection (2014) I used a fairly traditional looking green felt as a backdrop to pin the different packets onto as if they were a collection of butterflies or the like. The shape of the tied packets, their thin wrapper 'wings' and the bright colours evoked these creatures in my mind. 

Trophies (2014) (a found heron's head and a broken battery operated bat, each framed in gold spray-painted polystyrene packaging) recall the taxidermy found within the museum as well as the sorts of displays of creatures / heads that might be assossiated with this practice. There is a play on what was once considered a hunting trophy and my seeking out of found objects on the streets.

Mini Beasts (2014) similarly emulates the the sort of displays of insects and animals that could be found in the Herbert Museum. Real animals have been replaced by man-made versions found on the street. Within this array there are items that resemble life-forms although originally bore no reference to them- for instance a tag from perhaps some sort of garden packaging now looks like a flattened one-armed frog, and plastic remnants from something that was screwed in or drilled out appear more like a pair of octopii.

 

Boxers & Collections

I wanted to post a few images from the Herbert Art Gallery & Museum's collections which impacted me as I thought about the Shed - Collect - Shed exhibition and began to formulate ideas for work which would fit the show.

These first images are of boxes from the Elliott Collection. Elliott was a dentist from Tanworth-in-Arden collecting shells during the late 1800s. 3900 shells and his notebooks were donated to the museum in 1975. His 'African Collection' is particularly interesting where he stored his shells in boxes constructed partly from playing cards and partly from order cards from the Royal Mail Steam Ship 'African'. I love the creativity shown through how he used to store his treasured finds. Elliott also used many makeshift storage containers - pill boxes, match boxes and even denture boxes! 

  

Some of my work in the show and Martin Green's City Box sculptures deliberately dialogue with this collection.

A Stand-In Triumph (detail) (2014) - Lorsen Camps (assorted found objects in found Standard Triumph match boxes).

City Box Sculpture #3, Lopsided Travel (2014) - Martin Green (box made from the covers of the History of Boxing and World of Meaning, cigarette packet foil, one worn heel and one found suitcase wheel, 30 found wheel weights, collection / catalogue reference number).

Stickers R Us!

The house is overrun with stickers! These make up the Found Object Sticker Packs produced to coincide with the Shed - Collect - Shed exhibition and will be on sale from the Herbert Art Gallery & Museum shop very soon (or directly through me - just get in touch). There will be 50 Limited Edition packs of the complete 50 designs (£20), and also sold individually (£1 each).  The clear vinyl stickers feature photographs of found objects from my collection, a number of which feature in the Shed - Collect - Shed exhibition.